507qvy_cropped_153028514889490412.jpg

Libor Sošťák

Generally speaking, experimentation is the basis for all my work. I like to combine the idiosyncratic. I like to join history with the future. The goal is not just the product itself, but also the entire process which leads up to it.

Projects

Dubai Opera

Dubai Opera

Dubai, 2016United Arab Emirates
Dubai Design District

Dubai Design District

Dubai, 2015United Arab Emirates
Rosewood Hotel

Rosewood Hotel

Bangkok, 2019Thailand
Grand Hyatt Hotel

Grand Hyatt Hotel

Abu Dhabi, 2018United Arab Emirates
Hyatt Regency Petrovsky Park Hotel

Hyatt Regency Petrovsky Park Hotel

Moscow, 2018Russia
The Post Oak

The Post Oak

Houston, 2018USA
St. Regis Hotel

St. Regis Hotel

Astana, 2018Kazakhstan
Hotel de Paris

Hotel de Paris

Monte Carlo, 2017Monaco
Central Bank of Kuwait

Central Bank of Kuwait

Kuwait, 2016Kuwait
Reignwood Pine Valley Club & Resort

Reignwood Pine Valley Club & Resort

Beijing, 2016China
St. Regis Hotel

St. Regis Hotel

Macao, 2015China
Steigenberger Business Bay Hotel

Steigenberger Business Bay Hotel

Dubai, 2014United Arab Emirates
540 West Madison Business Center

540 West Madison Business Center

Chicago, 2014USA
The Peninsula Hotel

The Peninsula Hotel

Hong Kong, 2013China

Quick Bio

Libor Sošťák is a product designer born in the Czech Republic. While studying design at the Academy of Arts, Architecture and Design in Prague, he managed to gain product design experience in Utrecht, Netherlands where he studied conceptual design. He has exhibited at many Czech and international exhibitions, such as Designblok, Czech Grand Design Awards, Maison-Objet, Milan Design Week or Vienna Design Week. Libor is always interested in current trends and new technologies in product and interior design, while the inspiration for his chandeliers and lighting objects usually comes from tried and tested interior design concepts. However, he prefers to work on contemporary projects where he can craft a simple concept or story to accompany his glass installation. That said, he always respects the charm of traditional Czech hand-blowing techniques and works with both hand-blown glass and cut crystal. By using cutting-edge engineering and technology, his passion for contemporary production processes imbues even traditional products with a young, fresh form.